AESTHETICS I
ESTETICA I
Language and writing, symbol and representation
Linguaggio e scrittura, simbolo e rappresentazione
| A.Y. | Credits |
|---|---|
| 2016/2017 | 6 |
| Lecturer | Office hours for students | |
|---|---|---|
| Venanzio Raspa | Mon, 10-11, Wed, 10-11; from 7.11: Mon, 11-12; Wed, 11-12 |
| Teaching in foreign languages |
|---|
|
Course with optional materials in a foreign language
English
French
German
This course is entirely taught in Italian. Study materials can be provided in the foreign language and the final exam can be taken in the foreign language. |
Assigned to the Degree Course
| Date | Time | Classroom / Location |
|---|
Learning Objectives
Conceived as an advance in the studies of aesthetics, the course aims to examine a relevant issue for philosophy, literary and artistic studies. Starting from the work of Nelson Goodman, it will explore the various languages of art. We will study the relationship between art and knowledge, language and writing, we will examine the notions of sign, symbol and representation, and thematise the importance and value of the stories for our life.
Program
The course will address the following topics in the following order:
Relationship between language and writing ratio (R. Harris).
Fiction and narrative. The relevance to hear and tell stories (J. Gottschall).
The languages of art. Symbolic activities and aesthetic experience (N. Goodman).
Bridging Courses
Prerequisites are not required.
Learning Achievements (Dublin Descriptors)
Knowledge and understanding
The student will be able to understand and explain the aesthetical-philosophical texts examined, to argue rigorously and to discuss critically the topics which have been dealt in the class.
Making judgments
The student will demonstrate independent judgment in the evaluation of the aesthetical-philosophical theories studied and he/she will be able to produce a personal reworking of the acquired knowledge.
Learning skills
The student will be able to master the knowledge and skills he/she has acquired.
Teaching Material
The teaching material prepared by the lecturer in addition to recommended textbooks (such as for instance slides, lecture notes, exercises, bibliography) and communications from the lecturer specific to the course can be found inside the Moodle platform › blended.uniurb.it
Supporting Activities
Seminars.
Teaching, Attendance, Course Books and Assessment
- Teaching
Didactics
Lectures, seminars.
- Attendance
The course requires a regular attendance. Alternatively, please make use of the information for not attending students.
- Course books
A. Texts:
N. Goodman, I linguaggi dell'arte, Milano, Il Saggiatore, 1976, 1998.
G. Gottschall, L'istinto di narrare, Torino, Bollati Boringhieri, 2014.
R. Harris, La tirannia dell'alfabeto, Viterbo, Stampa Alternativa & Graffiti, 2003.
B. Literature:
T. Andina, Filosofie dell'arte, Roma, Carocci, 2012.
F. Vercellone, A. Bertinetto, G. Garelli, Lineamenti di storia dell'estetica, Bologna, Il Mulino, 2008.
C) Reference books:
G. Carchia e P. D'Angelo, Dizionario di Estetica, Roma-Bari, Laterza, 2007.
Other texts of secondary literature will be indicated during the course.
- Assessment
An oral examination on two books either of the group (A) or on one of the group A and one of the group (B). Students may arrange with their teachers discussing a written report.
- Disabilità e DSA
Le studentesse e gli studenti che hanno registrato la certificazione di disabilità o la certificazione di DSA presso l'Ufficio Inclusione e diritto allo studio, possono chiedere di utilizzare le mappe concettuali (per parole chiave) durante la prova di esame.
A tal fine, è necessario inviare le mappe, due settimane prima dell’appello di esame, alla o al docente del corso, che ne verificherà la coerenza con le indicazioni delle linee guida di ateneo e potrà chiederne la modifica.
Additional Information for Non-Attending Students
- Teaching
Not attending students can contact the teacher in the office hours to ask for explanations about the content of the tests for the exam.
- Attendance
Please contact the teacher, preferably personally, at least three months in advance of the scheduled date of the exam.
- Course books
A. Texts:
N. Goodman, I linguaggi dell'arte, Milano, Il Saggiatore, 1976, 1998.
G. Gottschall, L'istinto di narrare, Torino, Bollati Boringhieri, 2014.
R. Harris, La tirannia dell'alfabeto, Viterbo, Stampa Alternativa & Graffiti, 2003.
B. Literature:
T. Andina, Filosofie dell'arte, Roma, Carocci, 2012.
C. Barbero, Filosofia della letteratura, Roma, Carocci, 2013.
F. Vercellone, A. Bertinetto, G. Garelli, Lineamenti di storia dell'estetica, Bologna, Il Mulino, 2008.
C) Reference books:
G. Carchia e P. D'Angelo, Dizionario di Estetica, Roma-Bari, Laterza, 2007.
- Assessment
An oral examination on two books of the group (A) and one of the group group (B). Students may arrange with their teachers discussing a written report.
- Disabilità e DSA
Le studentesse e gli studenti che hanno registrato la certificazione di disabilità o la certificazione di DSA presso l'Ufficio Inclusione e diritto allo studio, possono chiedere di utilizzare le mappe concettuali (per parole chiave) durante la prova di esame.
A tal fine, è necessario inviare le mappe, due settimane prima dell’appello di esame, alla o al docente del corso, che ne verificherà la coerenza con le indicazioni delle linee guida di ateneo e potrà chiederne la modifica.
Notes
The teacher is available for the students in the appropriate office hours, for explanations and additional bibliographic information on the exam program, particularly in the case of not attending students.
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