ARTISTIC LANGUAGES
LINGUAGGI ARTISTICI
A.Y. | Credits |
---|---|
2018/2019 | 6 |
Lecturer | Office hours for students | |
---|---|---|
Anna Maria Ambrosini Massari |
Assigned to the Degree Course
Date | Time | Classroom / Location |
---|
Date | Time | Classroom / Location |
---|
Learning Objectives
The course aims to educate to knowledge and recognition of styles: artists' manners, the style of an artistic movements, of a period; underlining differences and similarities, with their exclusive and recurring characters, in order to let students became able at recognizing artists and their works, pursuing the course's aims with the help of every artistic language as fundamental for a complete mastery of communication.
The Language of art forms considered as the content opens to understand the context and history that make it possible: recognizing artistic manners means knowing the development of art history from its most direct expression: the language of forms.
Such language, on the other hand, it is also the main connection of art as a historical sequence with the much more complex world and broadened contemporary production: design, fashion, advertising and media expression
Program
The course is organized by referring to basic manuals of history of art, which will be addressed by selecting works and themes, periods and currents, to locate twists and turns of artistic styles.
Lessons includes exercise in recognition and attribution of works of art, in particular through the comparison between works of an artist, more than an artist, various artists from different cultural areas and so on.
The course will reference a history ranging from the dawn of the Renaissance to contemporary, obviously with an appropriate selection of works and themes of historical and artistic developments and anthropological symptomatic.
Bridging Courses
Visiting Museums and meetings with external scholars within the course itself
Learning Achievements (Dublin Descriptors)
Students will demonstrate mastery of basic knowledge concerning the identification of works of art and artists in their time, school, territory, knowing how to evaluate quality, comparisons with similar and different works, in order to reach a mature ability to read works and their contexts
Students will demonstrate an understanding of problems and will provide examples based on the models learned to recognize and compare the works, they should be able to identify places, history and quality of the works even at a first reading of them and in addition they should be able to give a huge historical and critical interpretation.
Teaching Material
The teaching material prepared by the lecturer in addition to recommended textbooks (such as for instance slides, lecture notes, exercises, bibliography) and communications from the lecturer specific to the course can be found inside the Moodle platform › blended.uniurb.it
Supporting Activities
The teaching material prepared by the lecturer (such as for instance slides, lecture notes, exercises) and specific communications from the lecturer can be found, together with other supporting activities, inside the Moodle platform › blended.uniurb.it
Supporting activities: visits to museums and public and private collections.
Teaching, Attendance, Course Books and Assessment
- Teaching
Lectures (front lessons) with projections and visits to museums.
- Attendance
Attendance is strongly recommended as the unique way to a right study for the exams.
- Course books
A Handbook of Art history from the Renaissance to Neoclassicism, even among those used in high school, as, for example,
N. Frapiccini, N. Giustozzi, La geografia dell'arte, edizioni Ulrico Hoepli, Milano 2006, (with multiple reprints).
Reproductions of texts and images may be provided by the professor.
For attending students only selected parts of the handbook will be to study and it will be possible to choose an individual program selected between the handbook's matters.
- Assessment
Oral examination
- Disability and Specific Learning Disorders (SLD)
Students who have registered their disability certification or SLD certification with the Inclusion and Right to Study Office can request to use conceptual maps (for keywords) during exams.
To this end, it is necessary to send the maps, two weeks before the exam date, to the course instructor, who will verify their compliance with the university guidelines and may request modifications.
Additional Information for Non-Attending Students
- Teaching
Follow the not attending additional information and lists of texts.
- Attendance
Follow the not attending additional information and lists of texts.
- Course books
A Handbook of Art history from the Renaissance to the contemporary era, even among those used in high school, as, for example,
N. Frapiccini, N. Giustozzi, La geografia dell'arte, edizioni Ulrico Hoepli, Milano 2006, (with multiple reprints).
Reproductions of texts and images may be provided by the professor.
Non attending students are recommended to contact the professor in order to understand better how to study the handbook.
- Assessment
Oral examination
- Disability and Specific Learning Disorders (SLD)
Students who have registered their disability certification or SLD certification with the Inclusion and Right to Study Office can request to use conceptual maps (for keywords) during exams.
To this end, it is necessary to send the maps, two weeks before the exam date, to the course instructor, who will verify their compliance with the university guidelines and may request modifications.
« back | Last update: 21/10/2018 |