Literary course:

To know the tools of literary analysis for the following literary genres:

- Poetry 
- The literature of ideas and argumentative writing 
- Narrative writing 
- The theatre

Literary vocabulary, phrases, enunciation, tonality, versification, stylistics etc.
Literature and film transposition

Reading of a few author's pages:

- Lamartine, Baudelaire, Apollinaire, Dorion
- Olympe de Gouges
- Stendhal, Balzac, Colette, Ernaux, Khadra...
- Molière, Marivaux, Ionesco

For the attainment of level C1: 
1. reading comprehension activity
This activity is aimed at assessing the students' comprehension of long and complex texts on current journalistic topics or relating to the economy, business and tourism. The texts are accompanied by a questionnaire.
Methodology:
- title analysis
- first quick reading to identify the topic
- reading the questions: closed questions, open questions etc.
- return to the text to identify its structure: subtitles, paragraphs, paragraph layout, images etc.
- first answers to the questions
- re-reading of the text and checking the answers

2. listening comprehension activity
This activity aims to assess comprehension of audio documents of various lengths, mainly radio broadcasts (interview, lecture, interview etc.). Each document is accompanied by questions.
Methodology: This exercise involves learning how to write notes: abbreviations, acronyms, finding key words, as well as finding clues provided by surrounding noises in the recording etc.

 reading questions
- first listening
- first answers to questions
- second listening
- completion of answers
The listening test, part of the Year 3 examination, will also include the writing of a summary of the content of the sound document; this is also to assess synthesis skills (going to the essentials by eliminating details, the superfluous) since the questionnaire assesses analysis with precise and detailed questions. The sound document will have a maximum length of 5 minutes and there will be two listenings to answer the questions.

3. written production activity
The written production activity in Year 3 will be aimed at learning the exercise known as "synthèse de documents". It is a comprehension and production exercise at the same time. It consists of drawing from a dossier of 3 texts in French a question (the so-called "problématique") and identifying the essential, secondary ideas and examples in each text and then condensing the most important information (reformulating it) into a new text, following a coherent scheme (plan). Personal additions, comments, quotations from the texts are strictly forbidden (only the repetition of mots-clés keywords is allowed).             Objectivity and conciseness (no more than a given number of words) are the fundamental criteria of the exercise.

Methodology:
- identify essential ideas (paragraph building blocks) in the texts
- identify secondary ideas (ideas that illustrate, explain or justify the essential ideas) in the texts
- identifying examples
- learning to reformulate essential and secondary ideas using different techniques: synonyms, hypernyms, simplifications, etc.
- learning to present the content of various texts in a logical and coherent manner following a thread and using connectors
- learning to remain objective (use of impersonal forms, passive form etc.) and concise
- knowing how to construct paragraphs
In addition to the synthèse de documents, exercises will also be carried out on how to write an argumentative text, with the definition of a "problématique" and the search for relevant arguments (essential ideas, secondary ideas and examples) with the aim of convincing readers. It will then be studied how to arrange the text with the various paragraphs and special attention will also be paid to punctuation and connectives. The different 'plans' (dialectical, analytical, comparative, thematic) will be studied. The argumentative text, however, will not be subject to a final examination.

4. oral production activities
With regard to oral production, students must be able, at the end of the course, to elaborate a personal reflection based on the study and analysis of a dossier composed of one or two texts. Students must prove that they are comfortable in exposition, expound in a fluid and coherent manner (knowledge of the various "connecteurs"), possess effective arguments to convince their audience and master the different types of schemes (plans analytiques, dialectique, comparatifs etc.).

Methodology
- understand long texts with different points of view
- identify the general topic 
- formulating the starting question (problématique) 
- distancing oneself from texts in order to develop a personal opinion 
- know how to refer to texts to justify, illustrate, challenge ideas
- demonstrate critical spirit
- learn to be convincing
- learning to engage the interlocutor, capture his/her attention etc.
- learn to respond to objections etc.
- eventually learning to broaden the debate with a view to possible consequences and future developments of the subject matter.

Grammar: 
- complex sentences: juxtaposition, coordination, subordination
- how to express cause
- how to express consequence
- how to express condition and hypothesis
- how to express time
- how to express concession/opposition
- how to express purpose 
- the forms in -ANT
- past participle agreement
- nominalisation
- direct/indirect speech
- tenses concordance
- verbal constructions of the most common verbs
- connectives

Terminology and metalinguistic reflection

- logical and grammatical analysis
- lexical field and semantic field etc.

Language difficulties (lexical, grammatical...)

Revising the spelling of French

Literary course:

To know the tools of literary analysis for the following literary genres:

- Poetry 
- The literature of ideas and argumentative writing 
- Narrative writing 
- The theatre

Literary vocabulary, phrases, enunciation, tonality, versification, stylistics etc.
Literature and film transposition

Reading of a few author's pages:

- Lamartine, Baudelaire, Apollinaire, Dorion
- Olympe de Gouges
- Stendhal, Balzac, Colette, Ernaux, Khadra...
- Molière, Marivaux, Ionesco

Grammar: 
- complex sentences: juxtaposition, coordination, subordination
- how to express cause
- how to express consequence
- how to express condition and hypothesis
- how to express time
- how to express concession/opposition
- how to express purpose 
- the forms in -ANT
- past participle agreement
- nominalisation
- direct/indirect speech
- tenses concordance
- verbal constructions of the most common verbs
- connectives

Terminology and metalinguistic reflection

- logical and grammatical analysis
- lexical field and semantic field etc.

Language difficulties (lexical, grammatical...)

Revising the spelling of French

Thematic dossiers for the various activities:

LIM LET

1st semester

- political correctness in literature

- the 'wokisme'

- the internationalisation of museums

- School action on individuals and society

- Education/training: from school to Parcours Sup

- Comparative education systems

- Discrimination

- Voting: right/duty

- Nature/culture

- Literature and film transposition

2nd semester

- Cohabitation between different generations

- Information/communication in the media

- Foreign languages

- The female condition

- The teaching profession

- The limits of technology

- Artificial intelligence

The teaching material prepared by the language assistant in addition to recommended textbooks (such as for instance slides, lecture notes, exercises, bibliography) and communications from the language assistant specific to the course can be found inside the Moodle platform › blended.uniurb.it

Course books

The teaching material will be provided by the language assistant via the Moodle platform

No book to be purchased.