MUSIC AND MUSIC DIDACTICS
MUSICA E DIDATTICA DELLA MUSICA
A.Y. | Credits |
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2022/2023 | 8 |
Lecturer | Office hours for students | |
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Claudia Giunta | Tuesday (after 11:00 am) by appointment via Email |
Teaching in foreign languages |
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Course with optional materials in a foreign language
English
This course is entirely taught in Italian. Study materials can be provided in the foreign language and the final exam can be taken in the foreign language. |
Assigned to the Degree Course
Date | Time | Classroom / Location |
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Date | Time | Classroom / Location |
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Learning Objectives
The Course is aimed to develop
- a knowledge of the fundamental elements/concepts of musical language
- listening and playing skills
- an education of the voice, singing and rhythm
- a knowledge of the methodological principles of music education
- an understanding of the educational, communicative and inclusive values of music
- a knowledge of the interdisciplinary aspect of music as described in Indicazioni nazionali per il curricolo (2012) and in Nuovi Scenari (2018)
- a competence in planning and implementing of musical activities (disciplinary and interdisciplinary) that take into account the musical development of the child (0-10) with particular attention to the different age groups
- the capacity to develop a meta reflection on musical practices.
Program
The course provides theoretical and methodological tools finalized to the teaching of music in nursery and primary school in order to be able to understand and enhance children’s musical experience.
Starting from a critical reflection on their musical knowledge, the students will develop skills on music education.
The course is focused on the essential cores of the discipline (listening and production) and its fundamental components (sound, rhythm, timbre, melody, harmony, musical form). Those will be investigated and explored by listening, production and notation experiences, observation and shared reflections, aimed to understand the highly communicative/expressive value of musical language.
At the same time, the course aims to educate students to use correctly their vocal, rhythmic, creative and movement skills, in order to organize concrete didactic activities.
Bridging Courses
There are no teaching support activities.
During the course, evaluation activities may be carried out that allow female students to evaluate the degree of their preparation and the effectiveness of the method of study of the subject, in relation to the program carried out up to that moment. They are therefore configured as self-assessment tests (semi-structured or structured tests, with answer key) capable of providing feedback to students.
Learning Achievements (Dublin Descriptors)
Knowledge and understanding:
In relation to teaching, the student must demonstrate basic knowledge of:
- the fundamental components of musical language and its characteristics
- the main methodological-didactic approaches
- the relation between music and other disciplines
- the main goals of competence and the specific learning targets envisaged by the Indicazioni nazionali per il curricolo
Applying knowledge and understanding:
At the end of the course the student must demonstrate the ability to:
- apply the concepts, methodologies and theories faced in the course
- develop projects derived from the analysis of the musical needs of the different age groups
- develop basic skills in reference to the musical ear, listening skills and the development of vocality
- use instruments at his disposal (voice, body, instruments, soundscape) integrating them coherently with the components of the musical language (rhythm, melody ...)
Making judgments:
At the end of the course, the student must demonstrate an aptitude for:
- discriminate and interpret sound events and music using specific categories of musical language
- contextualize (in time, in space) sounds and music, making explicit the relationship between form and function
- critically evaluate the adequacy of methodological-didactic choices
- reflect on any issues related to teaching music
Communication skills:
At the end of the course the student must acquire the ability to
- communicate the contents clearly and effectively using specific disciplinary language
- discuss methodological and didactic choices in a coherent way
- share evidence or problematic aspects related to the teaching of Music
Learning skills:
At the end of the course, the student will be autonomous in reading and analyzing the study materials and didactic materials offered by the course. He will be also able to develop his skills in listening, use of voice and instruments, use of notation (conventional and otherwise).
Teaching Material
The teaching material prepared by the lecturer in addition to recommended textbooks (such as for instance slides, lecture notes, exercises, bibliography) and communications from the lecturer specific to the course can be found inside the Moodle platform › blended.uniurb.it
Supporting Activities
During the course, evaluation activities may be carried out that allow female students to evaluate the degree of their preparation and the effectiveness of the method of study of the subject, in relation to the program carried out up to that moment. They are therefore configured as self-assessment tests (semi-structured or structured tests, with answer key) capable of providing feedback to students.
Teaching, Attendance, Course Books and Assessment
- Teaching
Lectures, moments of reflection and dialogue, practical experiences, video analysis with concrete examples of interaction between teacher and children
- Attendance
Attendance is recommended.
- Course books
Pedagogical and didactic references
Lucchetti S., Ferrari F., Freschi A.M. (2012), Insegnare la musica. Guida all'arte di comunicare con i suoni, Carocci, Roma.
Tafuri J. (1995). Educazione musicale. Teorie, metodi, pratiche, EDT, Torino, pp. 60-fine.
Miur (2012), Indicazioni nazionali per il curricolo della scuola dell’infanzia e del primo ciclo di istruzione, Le Monnier, Firenze, pp. 7-12; pp. 21-30; e 71-72.
Giunta C. (2014), La musica nella scuola primaria: realtà e prospettive, in Atti del convegno Nazionale “L’educazione musicale in Italia”, Mercatello sul Metauro, Progetti Sonori. (pdf1)
Giunta C. (2015), Musica in- form-azione, in rivista online "Musicheria". (pdf2)
Themes:
- Vocality
Imberty M. (2000), Il ruolo della voce materna nello sviluppo musicale del bambino, in Musica Domani, XXX/114, pp. 4-10. (pdf3)
Ferrari F. (2019), Dialoghi sonori, giochi cantati di gruppo, comunità di pratica musicali: scaffold inclusivi per le soglie dello sviluppo psico-affettivo, in "Quaderni di Pedagogia e Comunicazione musicale", vol. 6, Macerata, edizioni EUM.(pdf4)
- Active listening
Piazza G. (1992), Suonare col disco. Ascolto attivo e analisi nella scuola di base: un esempio pratico, in Atti del II Convegno europeo di Analisi Musicale, Università degli studi di Trento. (pdf5)
For any further information
Delalande F. (2001), La musica è un gioco da bambini, FrancoAngeli, Milano.
Jaques-Dalcroze E. (1925), Il ritmo, la musica e l’educazione, EDT, Torino.
Piazza G. (a cura di) (2010), L’Orff-Schulwerk in Italia. Storia, esperienze, e riflessioni, EDT, Torino.
Strobino E., Piatti M. (2011), Grammatica della fantasia musicale. Introduzione all'arte di inventare musiche, Franco Angeli, Milano.
Tafuri J. (2015), Cantando si impara, suggerimenti e repertori, Carocci, Roma.
Suggested teaching aids
Anceschi A. (2007), Ludus in musica, giochi per l'attività didattica nella scuola primaria, Carocci, Roma.
Grazioso G. (2005), Suono, musica, movimento, Carocci, Roma.
Spaccazocchi M. (2003), Crescere con il canto 1, Progetti Sonori, Mercatello sul Metauro (PU).
Spaccazocchi M. (2006), In movimento, Progetti Sonori, Mercatello sul Metauro (PU).
Tafuri J. (2015), Cantando si impara, suggerimenti e repertori, Carocci, Roma.
- Assessment
he expected objectives are verified through a written test at the end of the course.
The paper is made up of 12 open and closed questions worth two and a half points each. The written test is considered passed with an overall score of at least 18/30.
The evaluation criteria are as follows: relevance of the responses; ability to argue; adequacy of the disciplinary language used; ability to apply knowledge; effectiveness in the elaboration of ideas and didactic actions.
- Disability and Specific Learning Disorders (SLD)
Students who have registered their disability certification or SLD certification with the Inclusion and Right to Study Office can request to use conceptual maps (for keywords) during exams.
To this end, it is necessary to send the maps, two weeks before the exam date, to the course instructor, who will verify their compliance with the university guidelines and may request modifications.
Additional Information for Non-Attending Students
- Teaching
Lectures, moments of reflection and dialogue, practical experiences, video analysis with concrete examples of interaction between teacher and children.
- Attendance
Nobody.
- Course books
Same texts indicated for attending students.
- Assessment
Same modalities indicated for attending students.
- Disability and Specific Learning Disorders (SLD)
Students who have registered their disability certification or SLD certification with the Inclusion and Right to Study Office can request to use conceptual maps (for keywords) during exams.
To this end, it is necessary to send the maps, two weeks before the exam date, to the course instructor, who will verify their compliance with the university guidelines and may request modifications.
Notes
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