Università degli Studi di Urbino Carlo Bo / Portale Web di Ateneo


HISTORY OF MEDIEVAL AND BYZANTINE ART
STORIA DELL'ARTE MEDIEVALE E BIZANTINA

A.Y. Credits
2015/2016 12
Lecturer Email Office hours for students
Grazia Maria Fachechi After class or by appointment

Assigned to the Degree Course

Art History (LM-89)
Date Time Classroom / Location

Learning Objectives

This course proposes that students approach Medieval Art in the fields of Architecture, Sculpture and Painting, also through the eyes of those who have rediscovered its value (through the phenomenon of art collecting and exhibitions) and those who have re-proposed its original forms (through recoveries, re-evocations, and inventions) in modern and contemporary eras.

Program

Medieval art in Europe from the Fourth to the Fifteenth Century and its study and influence in modern and contemporary eras even beyond the borders of Europe, through the analysis of Architecture (with a focus on the theme of the gothic and neo-gothic facade, its colors, and its putative tales, above all profane, with special attention to the Labours of the Months), Sculpture (with a focus on wooden sculpture collections), Painting (with a focus on Giotto and the exhibits dedicated to his work), with regard to the problem of the de-contextualization and the recovery and virtual reconstruction of works of art in their original settings (case study: the frescoes of the Palazze di Spoleto).

Bridging Courses

The course will consist of a series of classroom lectures, each lasting two hours, and dedicated to a specific topic concerning one of the following ample sectors of research:

A. Medieval art in Europe from the Fourth to the Fifteenth Century and its study and influence in modern and contemporary eras even beyond the borders of Europe

B. The relationship between words and images

C. Color in terms of materials, technique, use, symbol and as a connoting element in the architecture and sculpture of the Middle Ages, as it was in Classical Antiquity

D. Text and context: new models of analysis, communicating and promoting art works through the virtual reconstruction and reunification of lost and dispersed materials in their original cultural contexts and settings

SCHEDULE: Lessons will be held at the following times:


FIRST SEMESTER

Monday, 2pm-4pm
Tuesday,11am-1pm
Wednesday, 4pm-6pm
starting Monday, November 9, 2015

SECOND SEMESTER

Wednesday, 2pm-4pm
Thursday, 9am-11am
Friday, 11am-1pmv
starting Wednesday, April 6, 2016

 

Learning Achievements (Dublin Descriptors)

Qualifications that signify completion of the second cycle are awarded to students who:

-have demonstrated knowledge and capacity for comprehension of texts and of certain specific themes typically associated with the first cycle and allow the application of original ideas, often in the context of study and research (knowledge and understanding);
-can be able to apply their knowledge and understanding and problem solving abilities in new or unfamiliar environments, found in broader (or interdisciplinary) contexts connected to their field of study and research (applying knowledge and understanding);
-have the ability to integrate knowledge and handle complexity, as well as formulate independent judgment based on limited or incomplete information (making judgments)
-can communicate in a clear, unambiguous manner their conclusions, and the knowledge and rationale underlying those conclusions, to others whether their interlocutors are specialists in the field or not. (communication skills);
-have to develop their ability to learn in a way that will allow them to continue their studies autonomously (learning skills)

Teaching Material

The teaching material prepared by the lecturer in addition to recommended textbooks (such as for instance slides, lecture notes, exercises, bibliography) and communications from the lecturer specific to the course can be found inside the Moodle platform › blended.uniurb.it

Supporting Activities

Seminars, conferences, fields trips organized during the course


Teaching, Attendance, Course Books and Assessment

Teaching

In-class lessons

Attendance

Students must attend at least two-thirds of the lessons

Course books

Beyond knowledge of the topics covered during the course, for which slides will be downloaded on the Moodle platform for easy consultation, the study of the following texts are requried: 

-L'arte medievale in Italia, edited by A.M. Romanini, Firenze, Sansoni 1988 (1996), in particular, the introductions to parts I-VII (available on the Moodle platform)
-Giotto, l'Italia, catalogo della mostra, edited by S. Romano and P. Petraroia, Milano, Mondadori Electa, 2015

Assessment

Oral exam

Disability and Specific Learning Disorders (SLD)

Students who have registered their disability certification or SLD certification with the Inclusion and Right to Study Office can request to use conceptual maps (for keywords) during exams.

To this end, it is necessary to send the maps, two weeks before the exam date, to the course instructor, who will verify their compliance with the university guidelines and may request modifications.

Additional Information for Non-Attending Students

Teaching

Individual study

Course books

-A. Pinelli, "Le ragioni della bellezza", vol. 2, Dalla tarda Antichità a Giotto, Torino, Loescher, 2012 (blue edition). This text book can be difficult to find, but it is sold at various book stores in Urbino
-S. Romano, La O di Giotto, Milano, Electa, 2008

Assessment

Oral exam

Disability and Specific Learning Disorders (SLD)

Students who have registered their disability certification or SLD certification with the Inclusion and Right to Study Office can request to use conceptual maps (for keywords) during exams.

To this end, it is necessary to send the maps, two weeks before the exam date, to the course instructor, who will verify their compliance with the university guidelines and may request modifications.

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